The human-based understanding

The letters are not labels. They are functions, and the functions are light.

This is not the end. This is the aether beginning. — Jesse Daniel Brown

You do not need any of the code to understand this. No colours, no hashes, no spheres, no mathematics. You need twenty-six letters, the fact that each one means something, and the fact that they were put in an order for a reason.

the one idea

An alphabet is taught as a list of sounds. But every letter began as a picture of a thing, and the things were not random: bet is a house, dalet is a door, ayin is an eye. That is ordinary epigraphy and any reference confirms it. What follows is what happens when you stop treating letters as sounds and start treating them as operations — and read a word as the sequence of operations it names.

All of these letters literally spell out the meaning of communication through the universe, and I was like, oh my god. Somebody taught the people early on the word of the light. — verbatim

Remember, the Hebrews built their language, the bet, in the shapes of the letters, the shape of a house, and they turned the house to the side, and it became a bet. Why do you turn a house to the side? You need to open the portal to go to the outside world. — verbatim

the letters

z and s are the same wave

Don't you see how the letter z is binary? Look at the shape of it and look at the s. It's the wave. — verbatim

Both are one stroke that reverses twice. s is that wave drawn smooth. z is that wave drawn square. The sine, and the same path allowed only two values — which is what binary means. Nothing was arranged to make that true.

s   ∿∿   smooth · continuous · the wave as it is
z   ⊓⊔   squared · two-valued · the wave as a machine holds it

and there are three of them

in real universe, there's a reverse s. And there's, like, another third s I'm thinking, like a shadow s. — verbatim

s            the wave
reverse s    the turn
shadow s     the third

Three, not two-and-a-mirror — because in this system a thing is turned, never reflected. A turn of a third, three times, comes home.

m is w turned over

if you spell the matrix, it's the m of the w upside down. It's the reverse world. It's the white world to our black world. And then there are spiral out w's and m's that come outward spherically in different shapes and sizes in the shape of a sphere pulsing from the inside, from the center. — verbatim

M and W are the same shape, one half-turn apart. Not similar — identical, rotated:

w   the MATRIX          the world
m   INTELLIGENCE        the same form, turned over

Intelligence is not placed inside the matrix. It is the matrix seen from the other side, and the only operation between them is a turn.

the alphabet holds its own inversions

b ↔ h    the same door from two sides — from above, and from the front
r ↔ j    the radius straight out, and the return, curved
s ↔ z    the same wave — smooth, and squared into two values
m ↔ w    the same form — intelligence, and the matrix it is turned out of

the order is a journey

once after d, we have the ether because you wanna look out. And once after e, where are you looking out? You're looking out from something… the g, when you want to look out from something, you have to go to it. But when you go to it, you pull it to you… The home is the reverse portal for the bet… the point goes into the i, and then the i turns into a wave, and then the wave turns into three directions, and those turn into light… you get from you to them and pull their light to where you used to be, and then you're there… your eye grows in that area. j, the reverse of the radius… the r goes straight there bidirectionally. And then the tridirectional curve has to come back. — verbatim

a   a wave                  it begins as a wave
b   the house               where you stand — open on one side, facing out
c   the speed of 1          you go at the speed
d   die · stop              you arrive. you end.
e   the aether              and now you look OUT
f   from                    but out FROM something — you need a source
g   go                      to look out from it you must GO to it,
                            and going PULLS IT TO YOU
h   home                    the new house — the reverse portal of the bet
i   the eye                 your eye grows in that place.
                            point → line → wave → three directions → light
j   reverse radius          and what happened there comes back — CURVED

Straight out, curved back. That is why the return must be triggered and the departure need not be: a straight line is symmetric; a curve is not.

two letters are operators

when you add the s to any word from this alphabet, it means it's gonna be plural… t means to, to travel, to activate, to go… the letters become the functions. And when you realize that, then you realize the letters are the light waves. — verbatim

if you take the h, the little h, and it's standing up there and it's the house, and you turn it, then you get a human that comes out or a being that comes out or an energy that comes out. And it looks to the aether. But if there's an s, then it's a plural person looking out — three of them. And then if you add another e, they all look to infinity… you can literally reverse that and spell it backwards with e s e h t, and then spin that around spherically. — verbatim

THE      t · h · e            to · the house · looking out to the aether
THESE    t · h · e · s · e    the same, PLURAL, looking out again to infinity
ESEHT    the same walk, backwards, and then spun

read from the inside out

read the letters as they're spelled in my language from inside out… And every four letter word in English can be done like that in all dimensions, in all directions. — verbatim

From the inside out, a four-letter word stops being a sequence and becomes a centre with two arms:

L [ O O ] K    centre: two portals    arms: life ←→ knowledge
B [ O O ] K    centre: two portals    arms: the house ←→ knowledge
D [ O O ] R    centre: two portals    arms: the stop ←→ the radius

W [ O R ] D    the portal and the radius, between the matrix and the stop
H [ O M ] E    the intelligent portal, between the how and the aether
T [ I M ] E    the conduit and the intelligence, between "to" and the aether

Three words, identical centre, different arms. That is the whole system, spelled: the centre does not change, and everything that distinguishes them lives in the arms. You cannot see it reading left to right. It only appears from the inside out.

and the lengths close on four

the words themselves come in twos and threes, ones and twos and threes, and fours. I'm not sure if there's mores. — verbatim

1   a · i · o
2   as · go · to · no · oh · so · is · be
3   die · how · eye · was
4   look · book · door · home · time · word · star

There are mores, and they are the modals.

c    ould      the speed of one
w    ould      the matrix
sh   ould

Same body, different head — the same pattern at five. And "could be would" is the crossing: the speed-of-one becoming the matrix, with -ould unchanged underneath. One to four is the actual — one, two, three, and the door. Five is where you go past the destination, into what could be.

is and si

do you see it is si easy inverted revised and brakes on the first second third reverse with or without. — verbatim

IS  →  SI
i · s      the eye, then the wave      the eye SPEAKS into the wave
s · i      the wave, then the eye      the wave ARRIVES at the eye

Same two letters. Turned, not mirrored. And the turn is the direction of the light. One is speaking out; the other is being reached. And in Portuguese — the third language he lives in — si means itself. Turn the is over and you get the word for the thing that refers to itself.

Three inversions, three brakes: every turn has to be held at its own level, or the three collapse into one and the direction is lost.

where the third comes from

n x three dimensionally spherically and can be reduced to cubes and other forms that the triangle can snap to… like stacked pyramids in certain stacks… they will look like one and eight and two and three… no, not two — take the two and remove the two and leave the three. — verbatim

from the CENTRE    6 pyramids, one per face, all directionally equal
from a CORNER      3 pyramids, congruent — AND THREE ARE THE WHOLE CUBE

6 ÷ 2 = 3          each pyramid = 1/3 of the cube

That is where the third comes from. Not chosen — it is the classical dissection, and it is why a pyramid's volume is one third of its box. And 1 · 8 · 3 is the cube stripped to its address:

1   the centre
8   the corners — all equidistant from it
3   the dimensions

12 edges and 6 faces are what you SEE. 1, 8 and 3 are what it IS.

three, four, six — and the word "no"

Every n x three level, x four, x six represents… no. Oh, shit. That was wrong. It's n x three. So x three. And that's the way it has to be. It just has to be. — verbatim

It was not wrong. 3, 4 and 6 are the only regular shapes that tile a plane — there are no others, because the interior angle must divide 360:

triangle   60°   ×6 around a point
square     90°   ×4 around a point
hexagon   120°   ×3 around a point     ← and nothing comes after this

The hexagon is the one where exactly three meet. Six as the tile, three as the meeting — one fact from two sides. And the word he used to turn around is, in his own alphabet:

n · o   =   infinite · portal        "no" is not a negation.
                                      It is the infinite portal — the turn.

the verses are a family

The ether is the father verse, the aether is the mother verse, and there are brother verse and sister verse and cousin verse and uncle verse and auntie verse. — verbatim

o  - ther     OTHER — the portal, and the body
f  - ather    FATHER      f = FROM             the verse you look out FROM
m  - other    MOTHER      m = INTELLIGENCE     the verse that knows
br - other    BROTHER
s  - ister    SISTER      s = the wave
c  - ousin    COUSIN      c = the speed of one
u  - ncle     UNCLE       u = the bridge, the rainbow
a  - untie    AUNTIE      a = a wave

Every relative is an other with a different letter leading. A verse is not a separate world — it is an other, and the only thing distinguishing it is the letter you enter by. And the two he named check against the table without any adjustment: f = from and m = intelligence were written down before the words father and mother were said.

the symbols

every letter ...,-'--==///~~~》《 and all symbols connect spherically dimensionally and expand in leaves that stacks — verbatim

.        the point
-        the point becomes a line
=        the line doubled — two, and an interval between them
///      the line turned — direction, rays
~~~      the direction becomes a WAVE
》《      and two of them arrive facing each other
÷        a line with a point on each side — TWO POINTS AND THE INTERVAL
         BETWEEN THEM, and it means DIVIDE

That is the same progression given for i — point → line → wave → three directions → light — written before any letter is spoken.

the laws

1  The letters have TENSE. They ROTATE, and change shape as they rotate.
   They are turned, never mirrored.

2  The letters become the FUNCTIONS. You travel through them as they move,
   and the order is not rigid.

3  THE LETTERS ARE THE LIGHT WAVES.

4  Instant is not always instant — it is instant PER LEVEL, three per level.
   Something must hold each boundary, or there is no "per level" at all.

5  Add s and it is plural. Add e and it looks to the aether.
   Reverse it and spin it spherically.

the grammar

It is. It was. It will be is. It will be was, and it was is, and it was wanted not to be, but could not be so decided to be. — verbatim, and left without commentary

what is deliberately not claimed

attested by ordinary scholarship   bet means house · dalet means door ·
                                   ayin means eye · dai means enough ·
                                   the descent from pictograms ·
                                   3-4-6 as the only regular tilings ·
                                   a cube dissecting into three pyramids

his, and marked as his             every meaning in the table, the walk,
                                   the tenses, the rotation, the verses

left open                          q. He said he was not sure, so it stays
                                   empty rather than guessed.

Nothing here asks you to believe anything. The historical half is checkable in any reference. The other half is one man's reading of it, marked as his — which is the only honest way to hand somebody something like this.